Skip to content

Cart

Your cart is empty

Landscape

Landscape

Sort by

1063 products

On saleLuminous River Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoLuminous River Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleQuiet River Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoQuiet River Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleStorybook Gathered Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edgesStorybook Gathered Flowing Color Ribbon focuses on interlaced ribbon-like bands of pink, blue, green, cream, and black. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges
On saleWandering Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoWandering Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleOpen Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoOpen Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleGentle Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoGentle Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleStill Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesStill Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleWarm Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoWarm Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleRiver Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoRiver Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleGathered Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoGathered Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleDistant Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoDistant Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On salePlayful Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoPlayful Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleRestful Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoRestful Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleSoft Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesSoft Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleGolden Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impastoGolden Distant Mountain River Valley focuses on layered mountain ridges opening toward a bright winding river. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto
On saleCobalt Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenCobalt Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleTender Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenTender Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleLuminous Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenLuminous Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleQuiet Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenQuiet Playful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleStorybook Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesStorybook Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleMidnight Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenMidnight Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleReflective Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenReflective Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleWandering Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenWandering Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleOpen Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenOpen Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleGentle Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenGentle Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleStill Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken brushStill Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken brush
On saleWarm Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenWarm Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleRiver Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenRiver Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleGathered Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenGathered Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleDistant Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenDistant Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On salePlayful Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenPlayful Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleRestful Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenRestful Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleSoft Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken brushSoft Restful Running Spaniel focuses on a lively spaniel captured mid-stride with a lifted tail. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken brush
On saleRiver Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesRiver Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleGathered Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesGathered Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleDistant Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesDistant Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On salePlayful Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesPlayful Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleRestful Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesRestful Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleSoft Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenSoft Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, red, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleGolden Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesGolden Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, black, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleMossy Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesMossy Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, brown, and yellow, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleCobalt Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenCobalt Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, grey, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleTender Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesTender Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, yellow, and beige, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleLuminous Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesLuminous Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between orange, pink, and green, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleQuiet Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, brokenQuiet Mossy Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between blue, beige, and brown, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges, broken
On saleStorybook Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesStorybook Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between purple, green, and white, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleMidnight Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesMidnight Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between beige, black, and blue, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges
On saleReflective Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridgesReflective Cobalt Seated Western Rider focuses on a relaxed western figure in a broad hat seated in a chair. The composition keeps the principal subject clearly separated from the painted field, so the eye can follow the specific gesture, silhouette, garment, fur, petal, ridge, or river visible in this artwork. Its color relationships move between green, grey, and pink, with lighter passages opening the focal area and deeper strokes giving the forms weight. Palette-knife edges, impasto ridges